I am thrilled to announce the release of enhake's newest CD entitled Prepaárense: The Piazzolla Project on MSR Classic. The recording already has received many positive reviews and turned out quite well, especially considering our highly compressed rehearsal and recording schedule last year.
We got the following review from Infodad,com with a very well received (++++) rating:
(++++) PROJECTS IN PROGRESS
Ástor Piazzolla: Transcriptions and arrangements by M. Brent Williams. enhakē (Wonkak Kim, clarinet; M. Brent Williams, violin; Katherine Decker, cello; Eun-Hee Park, piano). MSR Classics. $12.95.
The MSR Classics project undertaken by a fine chamber ensemble with a deliberately obscure name, enhakē – small first letter, whole word from the Seminole for “sound,” and, really, why? – is to present works by Argentine concert-tango master Ástor Piazzolla in the unusual instrumental combination of clarinet, violin, cello and piano. Violinist M. Brent Williams is responsible for arranging Piazzolla for this recording, and he does so with considerable skill. All nine works here come across with a pleasant mixture of exotic sound, concert-hall solemnity and a kind of “street smarts.” There are some very well-known pieces on the CD, including Primavera Porteña and Libertango, and they have a freshness here, thanks to the unexpected instrumentation, that shows them in a new light and further affirms the appropriateness of their place in “high” music despite the decidedly “low” origin of the tango itself. The Concerto para Quinteto comes across particularly well in this performance – these are musicians who are clearly comfortable with each other as well as with their individual instruments, and there is a relaxed, jazz-ensemble feeling to their performances despite the fact that these are not pieces played extemporaneously. All the works here are worth hearing – the others are Revirado, Escualo, Oblivion, Prepárense, Kicho and Buenos Aires Hora Cero. Williams’ arrangements sometimes try a bit too hard to make sure that each performer gets front-and-center attention and that, when the group plays together, everyone is balanced equally against everyone else. This is excellent camaraderie but can result in arrangements that are a bit too cautious not to overdo the sound of any specific instrument. This is a quibble, though, and some listeners will actually like the disc more because of the neat ensemble balance and the careful way the arrangements make just about equal room for everyone. The CD is short – 47 minutes – but long enough to give listeners a strong sense of the quality of Piazzolla’s music and the effectiveness of hearing it on instruments other than those for which it was originally composed.
Here is some quotes from another review on this CD by Fanfare Magazine:
“...positively delightful. ...The sense of ensemble is near-miraculous. ...A most rewarding and enjoyable release. PIazzolla admirers need not hesitate.”
The CD can be directly ordered at this site by visiting here.
